Revision of an Earlier Poem
NEAR
THE COLD
HOUSE
GONE
THE COLD
HOUSE
GONE
O
septum of land,
rain, wind, clouds.
rain, wind, clouds.
And
the heavy bicycles
we rode for twelve days
we rode for twelve days
into
the ferrying Atlantic.
Distance, time, bright vessels
made from an obliquity of language
Distance, time, bright vessels
made from an obliquity of language
in
cluttered purling space.
On the glassed-in bridge
On the glassed-in bridge
Within
the air above the ice
above the ice in flame.
above the ice in flame.
It’s
time’s cut, you see, locked
against intrusive light.
against intrusive light.
The
form that abstract piety takes
on remade shores and an alcove
where morning light goes hey.
on remade shores and an alcove
where morning light goes hey.
This mariner's hostel, this reed basket,
where gulls of meaning hover
above an immaterial tidal sweep
where gulls of meaning hover
above an immaterial tidal sweep
that
explains how ghostly it is,
this world, mast, bell:
this world, mast, bell:
the
glorious et cetera that light
and darkness both are:
and darkness both are:
a sail that bell-sound comes
to visit in salty air.
II
to visit in salty air.
II
A journeying we go
in noise and palm, shrill
pilgrimage
in alien land
up one long exultant stair.
up one long exultant stair.
Bright
colors elect
as surfaces deflect
what will become this
brighter hide and seek affair,
as surfaces deflect
what will become this
brighter hide and seek affair,
fulcrum
for an eye
along the wayside route:
along the wayside route:
My
journal: Febuary [sic]:
I drank a filthy stout.
I drank a filthy stout.
And
there abstractly met
the sum of drought.
***
Note: The language satisfies me, though the line length and endings still need work. The rhyming pattern of section two can't be shown here but it is there.
the sum of drought.
***
Note: The language satisfies me, though the line length and endings still need work. The rhyming pattern of section two can't be shown here but it is there.
<< Home